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How do you expect it to be any good if you dont work at it?Consider more than one statement if you are trying to discuss more than one body of work. If you try to get too much into a single statement, you run the risk of saying nothing and trying to be everything to all people. This is bad marketing/bad promotions. Allow your artist statement to grow, change, and mature along with your work. Dont let it sit on a shelf and collect dust. It should be organic and you shouldnt be afraid to change it and make it better.

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Allan 1987. Comments on Article 8 CISG , in: Bianca BonellCommentary on the International Sales Law, Giuffr: Milan 1987 95 102FARNSWORTH, E. Allan 1987. Comments on Article 18 CISG , in: Bianca Bonell Commentaryon the International Sales Law, Giuffr: Milan 1987 163 174FARNSWORTH, E. Allan 1987. Comments on Article 19 CISG , in: Bianca BonellCommentary on the International Sales Law, Giuffr: Milan 1987 175 184FARNSWORTH, E. Allan 1987. Comments on Article 20 CISG , in: Bianca BonellCommentary on the International Sales Law, Giuffr: Milan 1987 185 188FARNSWORTH, E. Allan 1987. Comments on Article 21 CISG , in: Bianca BonellCommentary on the International Sales Law, Giuffr: Milan 1987 189 194FARNSWORTH, E. Allan 1987.

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2005 Narrative inquiry: Multiple lenses, approaches, voices. In Denzin, N. K. and Lincoln, Y. S. eds The SAGE handbook of qualitative research. 3rd edition. pp. 651 679. Thousand Oaks, London, and New Delhi: Sage Publications. Clandinin, D.

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